Dream Pop, Hip Hop, Indie Pop, Interview, Jazz, RPM, Singer-Songwriter

We Carry Us: A Conversation With Bell’s Roar

When the world at large polices your expression, limits your resources, and overlooks your creative efforts simply for being yourself, carving out new and unconventional avenues to success becomes imperative.

Bell’s Roar, the solo project of Sean Desiree, personifies this struggle. The Albany, NY-based musician released We Carry Us last month, a collection of ten gorgeous tracks about trans community, perseverance, rectitude and self-love. Across the record, Desiree meticulously cultivates the most tender and worrisome of feelings around a glut of sounds: it’s alternative soul, jubilant synth-pop, and oceanic dream-jazz from one moment to the next– a viscous, mystifying bedlam.

On the outset of their Art Funds Art Tour, a wonderful funding initiative for marginalized artists, we invited Bell’s Roar to our studios to chat about their newest record, independent musicianship, activism, table-making and more!

This interview was conducted by Hayden Fisher on February 2nd, 2018.

All bed music by Bell’s Roar.

The Art Funds Art Tour:

Bandcamp

Facebook

Donate to the Art Funds Art Tour

http://bellsroarmusic.com/

South End Pallet Works

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Dream Pop, Interview, Rock, Uncategorized

“We Were Storming The Gates” ~ The Return of Calico Blue

Familiarity feels wonderful, especially after an extended period of newness, discomfort, or transition. If you are or were a college student in the Pioneer Valley, the five-college area has its own sense of familiarity, even fantasy. Everyone knows the thrum of music and sports games emanating from North Pleasant bars on a Friday or Saturday night; you likely have oddly rosy memories of being squished against a glass divider trying to order a slice from Antonio’s at around the same time. Maybe you frequented Cushman’s a lot and especially on mornings you were hungover; maybe you took a bus to the Roost on Sundays to study, maybe the most cardio you ever got was scaling the hills of Central, maybe you stayed for the summer and took a dip or two thousand in Puffer’s Pond, maybe you’ve walked the length of Lincoln Ave or Main Street in Amherst about ten billion times at all hours, with friends or alone, smoking or laughing or sad or just strolling. Maybe maybe maybe.

Calico Blue embodies this specific, dreamy familiarity; they were created by it. I transferred to UMass my sophomore year– fall of 2016– and knew who they were within a week. When it came to local music, the band was almost synonymous with the word “Amherst”; every other party I heard about or attended they played, and everyone who knew them beyond a wonderful band to dance to (while three sheets to the wind) would not shut up about their extremely chill reimagining of a five-decade old doo-wop classic.

Calico Blue was, and in many ways still is, that sweaty basement and not being able to hear your friends, not even knowing where they were (depending on the situation), and walking home with your heart full, arms linked with your pals or a sweetheart, looking at the stars, surviving every day just to shake off the angst of academic responsibility and existential dread every weekend; whatever ate or eats at you in these formative years.

CB remained that blues-driven, psychedelic salve of the pioneer valley until recently. After four years of relentless gigging, building a considerable local following, releasing two full-length records and touring cross-country with other local favorites Spirit Ghost, the quartet dispersed this past July, their members in post-grad limbo, resituating themselves and recalibrating for a newer chapter in their lives.

The intention was never to stop, though. After seven months away, Calico Blue has returned to Amherst for a string of local shows and an excursion to Boston, much to our joy!

WMUA invited Calico Blue to our studios for an in-depth interview discussing their time away, the making of their newest record, the future of the band, the group’s musical DNA and much, much more.

This interview was conducted by Samantha Colby and Hayden Fisher on January 17th, 2018.

Bed music by Calico Blue, Spirit Ghost and Petting Zoo.

Calico Blue plays Allston tonight!

 

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Interview, Power Pop, Rock

Vundabar Interview – Boston Calling 2017

WMUA’s DJ Toasty Z caught up with Vundabar for a goofy ass interview after their set at Boston Calling this past summer. We’re finally releasing it from the vault– they talk making Eric Andre laugh, hard-boiled eggs, the craziest thing they’ve ever done at a show, and much more!

Filmed by: Sam Colby
Assisted by: Kim Smith

If you enjoy the interview, make sure to check out Toasty’s channel www.youtube.com/hiphopmademedoit for exclusive interviews with local and underground hip-hop artists, freestyles, music vlogs, and other exclusive content.

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Review, RPM

Track Review: Porches Share New Song, Music Video: “Country”

Aaron Maine’s first offering since 2016 finds Porches relying on a fresh, glowing road map.

Manhattanite Aaron Maine, known professionally as Porches, has returned with new music following 2016’s Pool, an album of moody funk and washy club-rock; both danceable and wistful. Set to be on Porches’ upcoming album, Country is accompanied by a brief, stark video shot in upstate New York, far from the crooner’s noisy digs. The song itself is a beautiful reflection of the concept, populated by plucky, synthetic strings with quick decay. Maine’s trembling words are dry and without resonance, encircled by waves of sticky organ surging peacefully beneath the spaciousness of the song. The new track also features background vocals from Devonte Hynes (Blood Orange), a frequent collaborator and Domino label-mate. This sound seemingly marks a departure from the sanitized and spooky electronics Pool- instead, Country serves as a tender, blissed-out reintroduction to the quiet insistence and sensual metaphor of Porches. Maine is no stranger to changing up his style, though- Country is just another stepping stone across a river of genres that have spanned his seven-year career, beginning at dusty, gruff, and bombastic indie-cana and ending at whatever mysterious album Maine has in store for us.  

Porches gave a performance at last year’s WMUA Spring Concert and Pool was included in WMUA’s best records of 2016.

Listen/watch the video for Country below:

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