Interview, RPM, Singer-Songwriter

Moroccan Ballroom – A Chat with Katie Toupin

Katie Toupin grew up in Indiana and became part of the band Houndmouth. After taking a few years off, Katie took her chances at writing her own music and moved to LA. The result of this is her self released EP: Moroccan Ballroom, coming out March 2nd. I was fortunate enough to speak with Toupin on air about her new music, Midwestern upbringing, and her dog, Cheeto.

AE: Your EP is called Moroccan Ballroom. Can you tell what listeners can expect from the new sound?

KT: Moroccan Ballroom is named after the room in which we recorded in… I just spent 6 hours recording. And then when it was done we were looking back and thought this sounds great. This is exactly who I am, exactly where I’m at. These songs are all tracked live and they sound really great to me. There are five tracks on the EP and they all sound different. There’s an upbeat thing, there’s a very flow full key thing, there’s a duet, and a little darker rock, so there are different songs but they’re all me in my own voice.katie2

AE: The album cover is aesthetically pleasing, I love the colors. Can you tell us a little about the album cover? Was it shot in an actual moroccan ballroom?

KT: Thank you! No, the album cover is actually a subway station in Hollywood. My boyfriend is a photographer so he had taken it. Right when I saw that particular photo I said “Oh that’s gotta be the album cover”. No doubt in my mind. We’re actually shooting a music video for ‘Shake Baby’ which will be the new single we release. We walk through that subway station in the music video so you get to see a little bit more.

AE: You recently moved to LA. Do you think that’s influenced your sound at all?

KT: It’s hard to say. I took two years away from music after leaving [Houndmouth]. I was writing the whole time and it was a two year process of trial and error. Trying to find who I am because it was basically my entire adult life I spent in that band and the people in that band. I moved to LA about a year ago. And it’s really the first time I’ve had my own place and wasn’t travelling all the time and had got to have a normal routine… It’s the first time I feel confident in who I am. It took settling down for a second to find that and feel grounded. When I first moved I was like, do I wanna make pop music? Do I wanna make electronic music? What do I wanna do? I was all over the map. I think being in LA sorta helped me own what I have, which is a midwestern upbringing and a midwestern mixture of sound.

AE: I think whenever a person has a transition period it gives them time to define who they are and what kind of person they want to be. I think it’s important to know who you are… it’s good to have a sense of identity.

KT: Change is hard and a lot of the songs are about that change… I tapped in that as I went along and hopefully captured [that change] for the music part.  

AE: Is there a set date for Boston?

KT: I don’t have a set date for boston I literally in the last few days locked in some booking agents and was getting it all sorted. Because this is an entirely self released EP, there’s no label behind it. Im very happy about that. In a lot of ways this connected to the fans… I listen and can make things happen and decide in the direction in which I want things to go. [my listener’s] opinion very much matters to me. So I hope to get to Boston…  I’ll get there very soon.

AE: Are you listening to anyone in particular right now?

KT: Not anything new. I’m not great at finding new music. I find stuff I like and listen to it over and over. Recently, I’ve been on this pretty strong Strokes kick.

AE: Lastly… Your social media is always filled with beautiful pictures of your dog, Cheeto…

KT: He’s actually sitting right next to me right now, in a sweater with ears on the hood. I think I want to tour with him… I want to figure out how to bring him along. He’s like my best buddy. I thought I should maybe have a social media page entirely for my dog but I’m not sure I want to be entirely one of those people. Do I want to commit there? I’m not sure.


Toupin’s dog, Cheeto. Taken from her instagram: @katietoupin

Pre-order: Moroccan Ballroom

Katie Toupin’s Official Website

Blues, Review, Rock

Album Review: Dan Auerbach – Waiting On A Song

Dan Auerbach is a busy man. Aside from his successful rock project The Black Keys, Auerbach created The Arcs, an impressive side project that took off during his hiatus from the Keys. His latest music project is simply himself: Dan Auerbach. Auerbach’s second album, Waiting on a Song, comes 9 years after his debut album Keep it Hid. Waiting on a Song is unique in its sound. Black Keys were bluesy, The Arcs were modern but still bluesy, and even Auerbach’s own Keep it Hid disappeared into the abyss of his other work. Waiting on a Song portrays a side unseen in Auerbach’s work before. While the majority of Auerbach’s work undertakes a dark guitar centric sound, Waiting on a Song has a southern upbeat tone with undertones of soul and funk, using violin, trumpet, acoustic guitar, clap styled percussion and other unlikely Auerbach-esque instruments.

Auerbach has been in Nashville since 2010, and it shows in his music. The album has southern rock hints comparable to that of Steely Dan, or CCR. In fact, many of the songs on the album parallel some of the greats. Auerbach mimics the likes of Al Green or Neil Young throughout the album.  In “Shine on Me” hints of John Lennon can be heard. On a similar note, Show Me” could be some variation of a George Harrison song. Originality in music is not as relevant these days, which makes the lack of it here alright; that’s not the issue with the album. The main problem with Auerbach’s album is the missing change in rhythm or pace.

“Waiting on a Song” starts off the album. A catchy and simple track about looking for that song to write, Auerbach explains the patience and process of writing music: “Songs don’t grow on trees/ You gotta pick ’em out the breeze…And pray one comes along,” stating that sometimes, and arbitrarily, the song will appear.  Creating a song is not an effortless process, so it is interesting to hear Auerbach’s unconventional perspective.

“Never in my Wildest Dreams” is the most sensitive track in the album. A soft love song about an unattainable love, Auerbach sings “I know where my purpose is/ It ain’t on some pilgrimage/ It’s wherever my baby is/ My love supreme.” The sadness in the lyrics can be heard in the slow tone mainly backed up by an acoustic guitar.

One of the lighter tracks is “Stand by My Girl”, a comical song about staying with a girl out of fear. Auerbach sings, “I’m gonna stand by my girl,/ because she’ll kill me if I don’t.” Banjo plucking in the background and tambourine shaking, the old Auerbach cannot be traced in this track.

Waiting on a Song is an album full of mostly empty lyrics. The overall simplicity of the lyrics is unfortunate and can get lost with the vague pop rock from the 70’s. Not every good artist needs to make meaningful music all the time, but it would have been nice to have seen some in this album. Regardless, the album gives off retro vibes that will provide comfort for soft rock fans. As for old fans of Auerbach or the Keys, the album is not of their regular blues sound and the new direction might be unsettling for some, but at the same time, Waiting on a Song has the potential to attract an entirely new fan base.  

Best Track: “Never in My Wildest Dreams”